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▲The Illuminated Man: an unconventional portrait of JG Ballardself.__VINEXT_RSC_CHUNKS__=self.__VINEXT_RSC_CHUNKS__||[];self.__VINEXT_RSC_CHUNKS__.push("2:I[\"aadde9aaef29\",[],\"default\",1]\n3:I[\"6e873226e03b\",[],\"Children\",1]\n5:I[\"bc2946a341c8\",[],\"LayoutSegmentProvider\",1]\n6:I[\"6e873226e03b\",[],\"Slot\",1]\n7:I[\"3506b3d116f7\",[],\"ErrorBoundary\",1]\n8:I[\"a9bbde40cf2d\",[],\"default\",1]\n9:I[\"3506b3d116f7\",[],\"NotFoundBoundary\",1]\na:\"$Sreact.suspense\"\n:HL[\"/assets/index-BLEkI_5r.css\",\"style\"]\n")n class="_source_ka9gd_36"> (theguardian.com)
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As one of collections intros said, Ballard is science fiction, but Inner Space, not Outer Space.
1. https://en.wikipedia.org/wiki/The_Complete_Short_Stories_of_...
The Burning World is rarely talked about. How is it?
He had a very eventful life. Across very eventful times.
I think the short stories work better than most of the longform although "the wind from nowhere" and "empire of the sun are very good".
I also think it's useful to remember he wasn't writing in a vacuum, British SF was exploring all kinds of forms, Michael Moorcock wrote deconstructed novels where chapter readings before flow text carried a whole emotional plane not exposed in the plot (the condition of muzak) and Brian Aldiss expored SF literary criticism taking the genre seriously for almost the first time. He was a writer in a context of exploratory writing.
But going beyond "going native" as a response to modern life towards in a more integrated or conscious way. Going forwards to a weird future of new behaviour rather than backwards to savagery.
Like a lot of his books they seem simple until you dig into them. They fry my brain a bit but that’s surrealism for you.
Will Self has some good writing about Ballard.
I will give his other works a read. I tried reading Crash multiple times but it was a bit too gory for me.